Sergei Prokofiev (1891-1953) wrote his Symphony No.1 in D major, op. 25, commonly known as Classical in 1916-1917. Its four movements are 1. Allegro, 2. Larghetto, 3. Gavotte: Non Troppo Allegro and 4. Finale: Molto Vivace.
Excerpts from this symphony are very often part of the required repertoire for orchestral auditions. In particular, passages from the Finale, due to its fast tempo and technical difficulty. Extracts from the Larghetto are common as well, where rhythmic accuracy, a clear tone and good intonation in the third register are indispensable.
One of the most useful ways to utilize harmonics, besides color and pitch changes, is to facilitate fast passages in the third octave of the flute.
By using harmonics of the octave or fifth (actually twelfth, but for simplification purposes we’ll refer to them as fifth) we can avoid some of the awkward cross-fingerings inherent to the third octave.
Below let’s examine some passages of the solo and orchestral repertoire where harmonic fingerings come to our help.